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BAN203

                                         “One day, everything will be, as it should be.”                            home

February 1  2017

 

Musica Jazz

Thanks to Johann Haidenbauer for letting me know about the January 2017 edition of the Italian magazine, Musica Jazz, which had a feature on Albert Ayler.

musicajazzjan2017

As well as the Italian translation of Daniel Caux’s interview with Albert Ayler (which was originally published in L’Art Vivant in February 1971, and an English translation of which, entitled ‘The Road To Freedom’, appeared in The Wire in January 2003) this issue of Musica Jazz also includes a sampler CD featuring the track, ‘No Name’, taken from the recent Hathut release of European Radio Studio Recordings 1964 (originally issued as The Hilversum Session). Click the pictures to see them bigly (!)

TopJazzthmb03 topjazz2016insidethmb

A Timely Warning

It’s a far cry from the olden days when amongst les enfants terribles of the avant-garde, Albert Ayler was definitely the terrible-ist. I came across the following items from the British jazz magazine, Crescendo,  on the National Jazz Archive site.

Crescendo, September, 1965:

cresc2

Crescendo, February 1966:

crescfox

Crescendo, May 1966:

crescnewcastle

Crescendo, February 1967:

cresctempo

I remember watching that on a Sunday afternoon - it’s on youtube now.

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Angels and Ghosts

Last June I mentioned a New York Times review of a concert by Diamanda Galás in which she “turned a wordless Albert Ayler melody, ‘Angels,’ into soaring phrases that merged Ayler’s saxophone vibrato with operatic style.” The concert was recorded and the CD, At Saint Thomas the Apostle Harlem, will be released next month.

AtSaintThomastheApostleHarlem

Perhaps weirder is the inclusion of ‘Ghosts’ and ‘Angels’ on a baseball-themed CD by Brad Linde’s Team Players. All-American is available on the bandcamp site.

allamerican600

Kasper Collin and Ghosts on a lute

Three items from youtube to end with. A Q & A session with Kasper Collin following the screening of his new film about Lee Morgan, I Called Him Morgan, at the New York Film Festival. And two versions of ‘Ghosts’, one by the Thomas Milovac Unit and this one by François Rascal on the oud (looks like a lute to me).

 

January  3 2017

 

Happy New Year

Sorry it’s a bit late.

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An Ayler Xmas

Not Bernard Stepien this time, but Mars Williams (of Psychedelic Furs fame), who presented a series of concerts in New Orleans and Chicago in December.

marsxmas

The Chicago concert took place at the Hungry Brain on 18th December with the following line-up:
Mars Williams - Sax
Josh Berman - Cornet
Steve Hunt - Drums
Fred Lonberg-Holm - Cello, Guitar, Trumpet
James A Baker - Piano & Arp Synth
Brian Sandstrom - Bass, Guitar, Trumpet
Kent Kessler - Bass.

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Point of Departure

Thanks to Pierre Crépon, who, as well as letting me know that the ESP catalog is now available on the Bandcamp site, also told me about a couple of interesting articles in the latest edition of Point of Departure. One is an interview with Abdul Wadud by Joel Wanek and Tomeka Reid, which mentions Ayler in passing, but gives a lot of information about the Cleveland jazz scene. I have to admit I wasn’t really au fait with Abdul Wadud but it turns out he played cello on one of my favourite tracks: ‘The Hard Blues’ from Julius Hemphill’s album, ‘Coon Bid’ness. The other article is Pierre’s obituary of the saxophonist, Marco Eneidi, who died on 24th May last year. Pierre also included a link to the Inconstant Sol site which has details of a rare Jackson Krall cassette of a recording of a 1991 concert by the Associated Big Band, which included Marco Eneidi, and featured a version of ‘Ghosts’. Here’s the cassette insert, and the track is available in flac or mp3 formats.

assocbigbandcass

New Wave In Jazz and Sunny Murray

Kees Hazevoet sent me a couple of interesting items. A double review of The New Wave In Jazz (the Impulse compilation LP which included Ayler’s ‘Holy Ghost’) from Down Beat of 27th January, 1966. Not really a case of ‘so good they reviewed it twice’, actually this was another example of Down Beat’s reaction to the terrifying implications of the avant-garde (I remember they did the same thing with Coltrane’s Meditations). I’ve placed it in the Record Reviews section, but here’s the pdf. And an interview with Sunny Murray (by Spencer Weston, transcribed by Bob Rusch) from the June, 1979 issue of Cadence. Again, that’s now in the Interviews section, but here’s the pdf. Thanks Kees.

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Belly-band

And thanks to Dirk Goedeking who found this photo of Nuits de la Fondation Maeght Vol. 1 with its original ‘belly-band’ on the merzbo-derek site.

nuitsmaeghtvol1bbfrnt

And finally ...

To round off this rather hurried first update of the year, here’s a rendering of Don Ayler’s ‘Our Prayer’ by a group featuring John Oslansky, Grencsó István (ss), Reinhardt Csaba (ts), György Erika (v), Benkőo Róbert, Schneider Vilmos (b), Jakab Miklós, Lukács Péter (d) recorded in August last year in Nagymaros, Hungary. A suitably sombre ending to the year just gone and perhaps a foreshadowing of the one just begun.

 

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This site went online in June 2000. All the previous ‘What’s New’ pages are available below:

Archives

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If you have any information about Albert Ayler, or any questions or corrections, then please email me, Patrick Regan.

 

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